Media Product - Vanilla Twilight - Image Reel

"When Violet Eyes Get Brighter,

And Heavy Wings Grow Lighter,
I'll taste the sky and feel alive again."

Image and Lyric Breakdown:

• When - Clock / Time representation
• Violet - The plant, Violet
• Eyes - My dog, Bailey's eye
• Get - Online Adobe download message
• Brighter - Two versions of the same lightbulb in my room, with altered brightness of lens flare

• And - '&' key from my iPod Touch (took a photograph)
• Heavy - 'Heavy Load' sign
• Wings - Bird in Flight
• Grow - Plant Growing
• Lighter - Feather - as in 'light as a feather'

• I'll - Photo of me
• Taste - Two angles of a mouth tasting a lollipop
• The - 'Highlighted the T, H and E keys on a standard laptop keyboard in red
• Sky - Sky shot and edge of Victoria Mills, Saltaire
• And - '&' key from my iPod Touch (took a photograph)
• Feel - Hand feeling fabric
• Alive - Heart-monitor to represent life
• Again - Cover of the DVD '17 Again'
  

Below is the background image, so you can see what it would look like without the image reel over the top - although, again, I have kept it in the same comic-book style as the rest of the images. It is supposed to represent the song - by depicting a 'Vanilla Twilight'.

Vanilla Twilight - 'Oh, Darling, I wish you were here'.

Media Product Ideas Generation

This time a year ago, I was super excited about the new series of Doctor Who. So excited, in fact, that I worked on compiling a trailer containing a mash-up of existing BBC official trailers to help quench my excitement.

Truthfully, this was one of my first ever forrays into the realms of Editing. Hence, it isn't the most technically fantastic piece I have ever created. However, at the time, I was simply happy to have created a video that was in-time with an accompanying piece of music - which was my ultimate goal for the project.

One year on, and I'm still in love with music videos. So much so, that I want to create one to be my final media project. Though this time, rather than using clips from a television show, I plan to focus on the lyrics a lot more and create graphics to accompany them. As of yet, I am undecided about the track to use. Though I do have ideas about the style I want my video to be in.

Stepping back a couple of blog entries, the entry containing my Flash-drawn Suzuki Bike has inspired me to create a comic-style video made purely from photographs that have been manipulated to suit this style. There is scope to include moving imagery, as well, though this would take me longer to create and edit. Whereas, were I to use still photographs, I'd be able to compile a video fairly easily, as well as correctly manipulate each photograph to suit my desired style.

The benefits of using still photographs would include being easy to obtain, and also to create a video that is fast-paced and purely representational of the lyrics, themselves. In many modern-day music videos, there is little relevance in terms of content when compared with the lyrics of the songs. For many artists, it is merely a demonstration of personal interest and investment - i.e. "I have all this money, look how wildly I can spend it to create a music video with little meaning and a lot of special effects".

I plan to do the exact opposite.

I want to create a video that contains graphics that completely represent the lyrics - even if those graphics are representative of an alternative meaning; for example, have a picture of an 'eye' for the word I, or such like.

This image is a close-up photo of an eye which I have altered by adding on 'Comic-book' and 'Film-grain' effects, as well as altering the colours to mix black-and-white with a little additional colour.

In more adult-themed comics (often japanese Manga), it is common practice that the majority of the comic's content is in black and white, but stark contrast is provided through sharp splashes of colour - for example, blood is red to make it stand out clearly. I would like to work on incorporating this somehow, into my video.

The benefits of combining black and white with splashes of colour is that the eye is automatically drawn to that which differs from the rest of the image. Taking this image as an example, I immediately see the eye itself when I look at it, before I take note of the surroundings, because the use of colour against the black and white backdrop draws me in. This style of dark and light contrasting so strongly inside the image reminds me of Caravaggio's works, as mentioned in my previous blog. His use of dark and light tones combined to manipulate the way the viewer received the image, telling a story about the graphic simply by hiding some sections from sight whilst showing other sections in clear, bright view.

The fact that the area of colour is centrally aligned also helps with this instant focus of attention: so that is something else to consider when lining up for photographic shots - I can play around with alignment of the most interesting section of the image to get the maximum effect, and also should consider the 'Rule of Thirds' to ensure the image is making full use of the canvas.

To summarise, for my media product, I hope to create a small music video (as of yet, unknown song choice) with a black/white/colour contrasting comic-style theme, which contains photographs of literal images to represent the lyrics (perhaps so literally it is almost extreme). Of course, this idea could change dramatically over the next few blog posts, but we shall see how things go...

Graphics Tablet Suzuki Bike - Flash Drawing

So. I started with this....

A photo of the 'Rio Grande' road in Western Texas (apparently one of the most scenic roads in the world!).

With a little photomanip and a whole lotta love, I ended up with a scene that would better suit the 'Flash drawing' design of my own artwork (you will see later!) to use as a backdrop. Gladly, I would have taken this photo in person to use for this particular piece of artwork, but alas, flying to Texas just to take a photograph would have been a bit too great a stretch for a student budget.

Next, now that I had a lovely comic-style background (and I've just realised a lovely 3 on 3 pattern happening with regards to the 'Rule of Thirds' but more on that in a second), I used a Graphics Tablet to draw a Suzuki Bike in Adobe Flash CS3 (see below).










Aannnnddd, finally! The moment of truth...



Combine Flash-drawn bike with Comical background....


And happy days.

The bike actually fits in with the image. See, as I was drawing it freestyle in Adobe Flash, the background was plain and boring and grey. Which was great while I was drawing, but as a finished image, it lacked a little... shall we say, pizazz? When I combined the flash-style super-bike with the original Rio Grande photograph, it looked dramatically out of place. As an image, if I were going for making a statement, it could have worked, I suppose. 'Expressive meets Tradition', and all that. But at the end of the day, due to my fascination with comic-books and the wonderfully simple and bold style of drawing in Flash, it just made sense to combine the two elements together for the finished piece.

Rule of Thirds - twice! One second...

Okay, so it's not exactly perfect, but considering it's a manipulated photograph, it's pretty damn close. Almost as though Mother Nature herself understood the concept of the Rule of Thirds when creating the landscape (or insert religious idol of choice, if it isn't Mother Nature according to your beliefs).

Upper section = sky.
Middle section = mountain range.
Lower sections = road, bike, ground.

Each section draws the viewer's attention to a certain aspect of the image. It's quite amazing that the correct positioning of a camera can create an image with clear proportion, enough to purposefully segregate elements of that image according to this rule.

(As a footnote, yes, I am British. And my superbike wants to drive through Western Texas into oncoming traffic for the laughs, just because we do that at home. Seriously, are we the only people to have 'left-hand-traffic' laws? Call the bike's positioning a culturally-inclined alteration to the norm of drive-time in southern America. Just because I'm British.)

Unit 53 - Storyboard Project

This project involved researching and finally creating a storyboard, with an included character from a team-building exercise we took part in at the start of the year (this project being a 'Name the 100 Cartoons' quiz). The character I chose to work with was 'Kimba the White Lion', a cartoon character from an old anime. I had intended originally to work with a more 'scratchy' style of artwork - as I attempted to do on the image I made displayed above. This would have made for a more unique and original storyboard. However, time constraints meant I had to work as quickly as I could without worrying about altering the style of my artwork - it was more a case of simply getting it finished, rather than getting the style right. If I were to have more time to work on my storyboard, then I could have altered the style to fit with the 'scratchy' style I wanted, but as it is, time has run out. :/ Therefore, the end product doesn't completely match my original intentions - by the fact it isn't the style I was hoping for. But aside from the actual artistic style, everything else has worked out how I had hoped it would.


On the left is my finished hand-drawn version of the storyboard I ended with, which I have scanned in ready to recreate the digital version. It is a simple story; at an electronics store (near you) the show, 'Kimba the White Lion' is being shown on a flat-screen television. Kimba sees the TV, however. And jumps out. There's a girl in the store who is scared by this, but then Kimba gets scared at seeing the girl who is - once the shock wears off - incredibly excited. She chases Kimba through the store, but he escapes outside and runs off down the street. It has no violence or foul language, therefore it is suitable for a younger audience to view, and as Comic Strips are mostly targeted at young audiences, I have successfully created a storyboard to fit with my target audience.


On the right is my final digitally amended version of the storyboard. I have created this using PhotoShop CS3, after scanning in the original version to use as reference to redraw each box on a separate layer. I have added in text and a title - 'Kimba Encounters the Humans' and created a textured background to help bring the whole piece together using pre-installed brushes. I used a collection of 'Fractal' brushes for the background, and have used other techniques such as including gradients, paint and using the pen tool to get strong black outlines. My boxes are abstract and unusual, rather than simple square boxes. This is because I have tried to incorporate some of the different layout styles I researched to make my storyboard look more interesting. I had originally planned to use different fonts, as well. I researched into different styles but found when it came to putting them on my final storyboard, they weren't very easy to read. Therefore, I have stuck to a Comic-strip Classic - Comic Sans and am pleased with how it looks on my finished Storyboard.

I have successfully managed to meet the deadline of this project, although it has resulted in me altering the style of my storyboard from the one I wanted to a more simple, cartoonish style. This is the only problem I have encountered with regards to timing. I have learnt a variety of new skills on PhotoShop - prior to this, I had never been able to successfully use the Pen tool to create strong lines, and had simply struggled with the brush tool to make them as thick and straight as possible. This new skill will definitely be useful to me in the future.

Overall, I am very happy with my finished Storyboard, albeit without the artistic style I had intended. The only thing I would change is the style, and if I were to progress further and create the actual Comic Strip, it would have been good to make it Interactive, as well.